There was not a original intent to make a game for a queer audience, but we wanted to include everyone.” In fact, the game’s synth pop styling was only decided upon when Simon Flesser, one half of Simogo, was listening to some pop music after a year of experimenting with other music genres. “Probably they follow Taylor Swift and Carly Rae Jepsen, and that was clearly a large inspiration for us. “I think it’s just something that happened, that a lot of queer people like this game,” said Olsén. Instead, they were motivated to make a game that’s just more inclusive. When I spoke to Daniel Olsén, one of the soundtrack’s composers, he shared that Swedish developer Simogo didn’t intentionally give Sayonara Wild Hearts such a distinct queer vibe.
Given that the game is made up of an eclectic mix of genres from side-scrolling shooter to bullet hell, it’s a marvel how much the music is in sync to the movement on screen. It’s a euphoric and unexpectedly emotive experience, brimming with explicitly queer and feminine energy fortified by its bisexual lighting filter of pink, purple and blue, and an electropop soundtrack influenced by the likes of Charli XCX and Chvrches. Pulsating with irrepressible energy, Sayonara Wild Hearts is a music-based arcade game which lets you ride motorcycles and riposte teddy girls, all while balancing on a massive aerial sword that sails through the air at 200mph.
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